Pamela Jacobsen considers a metaphor in a horror film (warning: contains plot details).
Dr Sally Marlow visits 'Bedlam: The Asylum and Beyond' at the Wellcome Collection.
Industrial Psychologist Professor Rhona Flin reviews Deepwater Horizon.
Dr Emily Glorney on 'Inside: Artists and Writers in Reading Prison'.
Pernille Frisvoll reviews a Horizon special on laughter.
Dr Fiona McBryde reviews 'One more time with feeling', the cinematic accompaniment to the new album from Nick Cave and the Bad Seeds.
A review of 'Tribe: On homecoming and belonging', by Sebastian Junger, from Professor Edgar Jones.
Dr Emma L. Turley reviews 'Tickled', directed by David Farrier and Dylan Reeve.
Iggy Moon watches Jon Brittain's play Rotterdam.
Alison Liebling, Professor of Criminology and Criminal Justice at the University of Cambridge, reviews The Stanford Prison Experiment: A Film by Kyle Patrick Alvarez (2015).
Including grief, the app generation and much more.
Editor Jon Sutton on the movie adaptation of The BFG.
Anita Mehay reviews Jesse Eisenberg's 'The Spoils' at Trafalgar Studios.
Dr Allan Dodds watches 'Notes on Blindness'.
Dr Catherine Loveday (University of Westminster) listens to Dr Broks' Casebook.
Janet Smithson watches 'Mr v Mrs: Call the Mediator' on BBC Two.
A selection including 'Talking sense about medicine'.
Professor Jamie Hacker Hughes attends the opening of a new Science Museum exhibition.
Professor Martin Conway reviews an episode of 'Genius of the Modern World'.
Victoria Tischler reviews 'The Musical Mental Health Cabaret', Attenborough Arts Centre, Leicester, 18 June 2016. Image: Matt Cawrey.
A selection from the latest issue.
Dr Sally Marlow visits the Bethlem Museum of the Mind.
Lose Weight for Love (BBC One) reviewed by Dr Francis Quinn (Lecturer in Psychology, Robert Gordon University, Aberdeen).
Joe Penhall’s iconic play, Blue/Orange, examines power, psychosis, ethnicity and psychiatry. Dr Sally Marlow talks to the playwright and to a psychiatrist, and looks at the literature in the area, to explore the questions the play raises, and how ready we are to answer them.