Emily Hutchinson reviews 'The Undoing Project: A Friendship That Changed the World'.
Rachel Williams on a never-ending performance of gender and identity.
Dr Lynsey Gozna (University of Leicester) watches Channel 4's 'A Killing in My Family', featuring the work of bereavement charity Winston's Wish.
Editor Jon Sutton and Philip Corr on an unusual musical project from 'Russian Linesman', drawing on Hans Eysenck and personality theory.
Dr Lydia J. Harkin reviews 'Psychology of the Digital Age: Humans Become Electric', by John R. Suler.
Rabeea Saleem, writer and psychology student based in Pakistan, reviews 'Hit Makers: How Things Become Popular', by Derek Thompson.
Dr Levina Smook reviews The Way We Die Now, by Seamus O’Mahony.
'Highly Illogical Behaviour', by John Corey Whaley, reviewed by Sanaa Hyder.
Stephanie Allan reviews the film 'Mad to Be Normal', directed by Robert Mullan.
Sally Marlow and Mike Thompson collaborate at an exhibition of monumental change.
Dr Rebecca Stack reviews 'The Place is Here' exhibition at Nottingham Contemporary.
Editor Jon Sutton reviews What the Butler Saw at Curve Theatre in Leicester.
Rhys Cadogan considers the film Split, and its portrayal of Dissociative Identity Disorder.
Dr Kate Devlin visits 'Robots' at the Science Museum.
Patrick Rabbitt reviews James Russell's 'Psychology as King of the Ghosts: A Personal Critique'.
Chris Hardy (a PhD Student at University College London) reviews 'The trouble with Dad' on Channel 4.
Andy Field goes on an 'Adventure in Statistics': Stacey Bedwell reviews.
A new film directed by Barry Jenkins, reviewed by counselling psychologist Dr Yetunde Ade-Serrano.
Preventing Self-Injury and Suicide in Women’s Prisons, by Tammi Walker and Graham Towl, reviewed by Anna Motz.
Editor Jon Sutton reviews a new album from Roger Goula, titled 'Overview effect'.
Katie East watches Danny Boyle's T2: Trainspotting.
Dr Alexandra Stein watches BBC Two's 'The Cult Next Door'.
The Good Neighbour, by Beth Miller, reviewed by Bethan Jones.
Killing Hapless Ally, by Anna Vaught, reviewed by Rachael Mellor.